Jar Jar Binks Goes to War

Lucas crashes ‘Red Tails’

By Armond White

George Lucas’ sales tactics for Red Tails, his $93 million production about the Tuskegee Airmen, the first African-American pilots in the armed forces, make a bigger bang than the film itself. Read more

New Series Features New York’s Most Macabre

By Anam Baig

Ronni Thomas, a filmmaker and oddity enthusiast, has created a new web series documenting the darkness, eccentricity and mystery of the uncharted and unimaginable happenings of New York City. Read more

Flickers of Dance

Lincoln Center’s annual Dance on Camera Festival is a must-see

By Susan Reiter

Now in its 40th year, Dance on Camera is at a new level of maturity. The annual event at the Walter Reade Theater that once fit into a three-day weekend has expanded to fill five days, Jan. 27–31, and within its brief duration has its own opening night, centerpiece and closing night films. Read more

The Final Chapter

After almost 20 years, West Memphis Three chroniclers close the book

By Marissa Maier

When done well, documentary film has the rare ability to transcend the confines of the silver screen to effect real change in the lives of its subjects. Like Errol Morris’ The Thin Blue Line, filmmakers Joe Berlinger and Bruce Sinofsky’s Paradise Lost trilogy about the West Memphis Three helped free three wrongly convicted men. With their third installment in the series, Paradise Lost 3: Purgatory, which premieres on HBO Jan. 12, the duo has closed the book on a story they have chronicled for almost 20 years—one that has left an indelible mark on them as filmmakers. Read more

Thug Cinema

Guy Ritchie’s dastardly Sherlock Holmes reboot

By Armond White

Guy Ritchie’s calculations in his sequel Sherlock Holmes: A Game of Shadows are so low-down they’re almost diabolical. He has retooled the famous fictional detective character with no respect for either Sir Arthur Conan Doyle’s literary creation or the ticket-buying audience. Against tradition (previous incarnations of Holmes emphasized mystery and deduction), Ritche panders to the current, degraded taste for blatancy and violence. Read more

The 21st Annual New York Jewish Film Festival

By Anna Margaret Hollyman

January marks the beginning of a new film festival season—and what better way to kick it off than with the 21st annual New York Jewish Film Festival, Jan. 11–26? Presented in partnership with The Jewish Museum and the Film Society of Lincoln Center, the festival promises to provide a diverse global perspective on the Jewish experience with 35 features and shorts from 11 countries, many of which will be followed by post-screening Q&As with filmmakers and special guests in attendance.  Read more

Armond White’s Film Capsules

By Armond White

50/50—The buddy comedy genre faces cancer. Joseph Gordon-Levitt is helped through crisis by Seth Rogen. Decent emotions get cheated of depth by blithe, nonspiritual approach. Dir. Jonathan Levine.
Read more

Another Happy Day Caps a Great Year

Ellen Barkin’s new movie is the icing on the cake of her 2011

By Mark Peikert

“I don’t think I’ve ever said the words ‘I’m proud of myself,’” Ellen Barkin said over coffee recently at Soho’s MEET at The Apt. “But this movie is the greatest accomplishment of my career.”
Read more

Armond White’s Film Capsules

By Armond White

50/50

The buddy comedy genre faces cancer. Joseph Gordon-Levitt is helped through crisis by Seth Rogen. Decent emotions get cheated of depth by blithe, nonspiritual approach. Dir. Jonathan Levine.
Read more

Unnatural Disasters

‘Take Shelter’ looks at a man overtaken by real, and perceived, anxieties

By Tom Hall

There is an ineffable fear lying just beneath the surface of the modern American experience, a sense that powerful forces beyond our control are conspiring to have a profound impact on our lives. A visit to any of the 24-hour news channels only serves to reinforce the anxiety; images of war and revolution only make way for stories of political gridlock, missing children, true crime and natural disasters. The uncertainty fomented by these images populates our nightmares, spinning its own terrible narrative. How do we act rationally, how do we keep our cool, when everything seems to be falling apart around us?
Read more

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